Thanks to Zoran Stajic for the info and pictures! Zoran says this model is a lot like the VIP400, but the Piano Sounds are different. Possibly the addition of some of the goodies from the Pro Piano???
Thanks to Eric, who posted this comment on the old site: Great Farfisa; much more versatile than Compacts. Sort of like a Compact with many more additional sounds and features. Used by Sun Ra (see Space is the Place video). One feature I particularly like is the percussion/ repeat. Sounds sort of like a square wave LFO, but with more attack (plus control over the attack). Also has “synthaslalom” which is a little like portamento on an analog synth. This feature can also be controlled in terms of time and range of the portamento. Unlike portemento, this effect seems to only go up, elevating the note till it reaches the note of the key. Also has very cool reed/ string like drawbar that sounds like a strings preset analog synth. The other effect in this section is “piano”, which sounds vaguely like a dark electric piano tone. Incredible Bass section for lower quarter of first row of keys. drawbars for very round/ super bassy square wave “bass” and a reedier, fuzzy tone also (think: bass sounds on Suicide’s first album) All in all a very expressive and versatile keyboard capable of the 60s psyche farfisa sound as well as some basic (but well done) 70s analog synth sounds. This was a very professional, and expensive keyboard in it’s day. I believe I saw an mid 70s advertisement for $1800!!! More than a MiniMoog. Cool keyboard.
Take a look at this awesome electronic piano from Farfisa. It’s just like, if not better than a Wurlitzer Electronic Piano, or a Fender Rhodes, no, not really!
It is full of 70s cheese, and will smell a little like that when you pick one up. I wonder then is tolex edible? The sound is not one you really want, unless you want to bring back AM Gold, but it is a very cool instrument by design. Instead of having 12 oscillators that have dividers one them to make the lower register notes, the Pro Piano has an oscillator for every not on the keyboard! It’s very cool looking, I’ll have to post a picture of the array of analog circuitry someday.
With one of the envelope settings you can kind of make it sound like a Farfisa Matador or one of the cheaper VIP organs, but not really.
This is THE Farfisa spoken about when someone mentions Farfisas! It was introduced in the late Sixties and made a splash on the scene immediately. Boasting loud colors, a rough sound, and a price the touring musician could afford, The Compact Combo quickly became one of the prominent combo organs of the late Sixties. The biggest reason why this organ sounded so different from the other organs of its day was from the Multi-Tone Booster. The Farfisa Multi-Tone Booster gave the organs a rougher, dirtier sound, what many called the Farfisa bite.
The Gibson Sabre Reverb Amplifier was sold as the Farfisa Amp at the dawn of Farfisa’s presence in the United States. Since both Gibson and Farfisa were owned by CMI, the Chicago Musical Instrument company in Lincolnwood, Illinois, there were a lot of crossover. Just like the Gibson organs, and the later Cordovox organs (also a CMI brand) were very similar to Farfisa organs, the later Farfisa branded amps were most likely made by Gibson. Also, the Maestro effects were in there somewhere too.
This 50 watt amp boasted at 15″ speaker and a side mounted 14″ heavy duty mid range driver horn. This beast was designed to fill up the room with sound and help emulate a larger than life organ.
I can’t believe it. two Farfisa Sferasound pedals on ebay in as many weeks. The last one sold for about $185, I think I may bid on this one, but we’ll see where it goes. The super awesome seller has made a sweet video describing the full capabilities of this pedal. Let’s call it the quintesential informative video describing the Farfisa Sferasound Pedal.